Friday, May 26, 2006
Guess the Plot
1. In the ancient land of Krjaksja, there is a myth of a thing called Rain – when water comes from the sky, instead of the big river across the desert. An intrepid explorer sets out to debunk the myth.
2. Not a drop of rain has fallen at Stony Grange in 10,000 years. When Brad and Diane take each other's virginity in the middle of the rock, they release a curse that could destroy the world.
3. When Cathleen takes a job at a bar called Centerfolds, she has a premonition that something big is about to happen - but her expectations don’t include meeting Bubba Mac.
4. Any one of Rain Penumbra's used-up lovers could have told you that she was a passionate woman, and that she needed her own space--or an apartment with soundproofed walls.
5. Waiting out the monsoons in a run-down tropical resort, a motley group of travelers decide not to tell each other their stories, but to listen to their ipods and do crossword puzzles instead.
6. When down-and-out flower-child Rain washed up in the desert town of Scapegoat, she was surprised by how friendly the locals were. She didn't know that her arrival portended the end of Scapegoat's drought and the beginning of prosperity--after her heart's blood was sprinkled on the withered fields, of course.
Dear Agent of My Dreams (that would be Ms. Snark, at her office, the proper way):
Into each life some rain must fall. [Interesting. Apparently Henry Wadsworth Longfellow is querying Evil Editor from beyond the grave.] United by destiny, torn apart by tragedy, a group of former friends resists the reunion hoped for by one of their own who comes looking for answers, and finds unexpected miracles. [You lost me already. Let's start over.] Truth is stranger than fiction [Now a Mark Twain quote? Clearly this is from a literature major.] in Rain Coming, a story of love, loss and the unbreakable bonds of friendship, played out against a backdrop of sex, drugs and rock & roll. [Ian Dury and the Blockheads. If this is a game of Identify that Quote, you'll have to do better than this to stump Evil Editor.]
Cathleen Carrington is a refugee from a dysfunctional family. When she’s offered a job at a bar called Centerfolds, she has a premonition that something big is about to happen - but her expectations don’t include meeting Bubba Mac. [No one in history ever had expectations of meeting someone named Bubba Mac.] Brutally handsome, charming to a fault, he’s the Pied Piper of the group: [The one who leads the rats out of town? The one who steals all the children?] the one all the women want to sleep with, and all the men claim as their best friend [while secretly also wanting to sleep with him.] [Different Pied Piper, obviously.]
As Cat is drawn in by the near-magical group of friends who frequent Centerfolds, she plunges into a steamy relationship with Bubba – until a devious trick played by a rival for his attention forces her to leave Memphis and cut herself off from the friends who have become her family. [Something that forces a woman to leave her home and abandon her family of friends sounds a lot worse than a "devious trick."] When she realizes she must return home to win Bubba’s heart, she calls to announce her decision – only to find out there’s been a fatal accident that has driven the friends apart and scattered them to the winds. [Bubba Mac's pickup truck blew up when it ran into Billy Bob's still.]
With her world shattered, Cat picks up the pieces and moves on, eventually settling in Colorado; but the past refuses to be laid to rest. Twenty years later, [in my sequel, Rain Gone,] [The past was happy to be laid to rest for twenty years; now, like a zombie, it's back.] she must return to Memphis, where she receives messages that are unmistakably from beyond the grave; [Maybe they're from Henry Wadsworth Longfellow.] [Wait, they're from Henry Wadsworth Longfellow's zombie!] [I hope Longfellow liked the name Henry, because going by his middle name was not an option.] and one by one, long-buried secrets, betrayals and esoteric mysteries are revealed as she struggles to reunite the friends in this paranormal tale of love and redemption that will leave you wondering what is real? [Evil Editor has received entire query letters that were shorter than that one sentence.]
I have been a daily columnist for the Vail Daily and Summit Daily newspapers in Colorado, recently sold two ghost stories to Firefox News, and have been both student and tutor of metaphysics for more than twenty-five years.
Rain Coming is character-driven, and complete at 155,000 words. Should this story interest you, I have included an SASE for your response. If not, please save a tree. Thank you for your consideration.
Dear Agent of My Dreams:
I am seeking representation for my novel, Rain Coming, a character-driven story of love, loss and the unbreakable bonds of friendship.
Cathleen Carrington is a refugee from a dysfunctional family. When she’s offered a job at a Memphis bar called Centerfolds, she has a premonition that something big is about to happen - but her expectations don’t include meeting Bubba Mac. Brutally handsome, charming to a fault, he’s the man all the women at Centerfolds want to sleep with, and all the men claim as their best friend.
As Cat is drawn in by the near-magical group of friends who frequent Centerfolds, she plunges into a steamy relationship with Bubba – until malicious rumors spread by a rival for his attention force her to leave Memphis and cut herself off from the friends who have become her family. When she decides to return home to win Bubba’s heart, she phones ahead – only to learn that a fatal accident has driven the friends apart and scattered them to the winds.
Her world shattered, Cat picks up the pieces and moves on, eventually settling in Colorado. But the past refuses to be laid to rest. Twenty years later, back in Memphis, she receives messages that are unmistakably from beyond the grave; and one by one, long-buried secrets, bitter betrayals and arcane mysteries are brought to light.
Rain Coming is a paranormal tale of love and redemption, complete at 150,000 words. I have included an SASE for your response. The manuscript may be recycled. Thank you for your consideration.
Do the paranormal aspects appear throughout the book, or is it just the messages from beyond? It would be unacceptably jarring for a paranormal book to contain nothing paranormal for 500 pages, then suddenly zombies appear.
It was too long. For that matter, 155,000 words is a long book. Without even seeing it, Evil Editor feels confident it can be cut significantly. Heck, I managed to cut it to 150,000 in the last paragraph, just by lying.
Posted by Evil Editor at 7:09 PM
Labels: Literary Fiction
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That's Miss Snark, unless your evil dream is to be stilettoed by a tam-wearing poodle.
Let's hope you are merely advising the author that her query wouldn't get read beyond the salutation, should she be lucky enough to send it to Miss Snark, and that your use of the term "evil dream" does not imply that you believe Evil Editor is responsible for the slight to Miss Snark. EE's contributions to the original version are printed in blue. As always.
Er...whatever doesn't get me mangled.
I bet if the author started at '20 years later' and wove the rest in as backstory, she/he could cut a significant number of words. According to the query, that's where the real story begins anyway, right?
Then again, maybe the author's already done this....
"Heck, I managed to cut it to 150,000 in the last paragraph, just by lying."
A tip of the porkpie hat to EE for the first good line of the weekend.
EE, where's bio part 3?
A 155,000 word paranormal romance is like a 54,000 word SF/F novel ;) Sure, it's possible, but if this is your first novel, I wouldn't bet on it.
One issue, however:
"Twenty years later, back in Memphis, she receives messages that are unmistakably from beyond the grave; and one by one, long-buried secrets, bitter betrayals and arcane mysteries are brought to light."
EE: I noticed that you corrected the first sentence which had "; but" in it. However, here you have a "; and". Please correct me if I'm wrong on this, but while semicolons are allowed when there's ambiguity due to commas, it is still awkward to begin the clause after a semicolon with a conjunction. Furthermore, semicolons suggest a strong degree of correlation between the clauses -- stronger than that of a period. Certainly the two clauses here are related, but not as much as say:
"I am in Washington; I had to travel for business."
"Bob programs computers for a living; he uses the printer all the time."
"Microsoft stock was a good buy in the early '90s; it's value rose significantly every year."
I don't see that degree of correlation here -- do you?
I'm just curious as to your take on this. I'm a grammar nazi at heart, although I still have much to learn. :) I also used to have a problem with using semicolons too often, so I might just be oversensitive.
I felt there was a strong correlation, namely that the messages from beyond the grave were messages revealing secrets, betrayals and mysteries. Of course it may be that the secrets etc. are coming to light through some other means, and the messages from beyond the grave are things like, "My God, it's hot down here!" I tend to lay off the grammar and spelling for the most part in the critiques, as those who need help in those areas probably shouldn't be seeking it in this forum.
Oh, good god. Cliche City. Or is it Quote City. Or both? It's hard to believe this writer is a columnist, though I do love the Bubba Mac part.
Ouch! Thank you, Evil Editor. I'm grateful to have you trash my query letter and I've got my little snipping scissors right here, ready to cut some more. You'd personally give birth to a cow if you had any idea how long it was before I cut it. Somehow, I thought if I got it down to 155K it would be all right because that's the same size as A Tree Grows in Brooklyn and I don't think of it as being a very long book at all.
Rei - where does it say this is a romance novel? While it does have a romantic element, it's mainstream. Think The Mercy of Thin Air, The Problem with Murmer Lee, or The Lovely Bones. However, you are so right about the semicolons. One of my crit partners is a punctuation nazi, too (thank dog), and she's always getting onto me about it. I'm surprised she didn't point them out to me first.
Thanks again, Evil Editor. I remain your faithful minion.
Centerfold - J Geils Band.
Oh, evil editor ...
Your comments made me laugh and brought me out of the slough of despond (Pilgrim's Progress) in which I've been wallowing.
I'd like to know how anyone thinks you could take a lover called Bubba Mac seriously. I can just imagine her in the throws of passion calling his name "Oh, Bubba, Bubba darling..."
Pat-I don't think it would be "Bubba darling." It would be "Do me, Bubba." The name just conjures up images of a good ole boy with a mullett. The only other Bubba I've come across in fiction is in Charlaine Harris' Southern Vampire series. He's Elvis brought back to life as a vampire and so a bit dim so I guess that's where that connotation comes for me. At least it's a pretty memorable name for a character.
For me, the name Bubba will always conjure an image of two cowboys on a dusty main street, tumble-weeds blowing in the distance. They chaw frantically, then blow. Bigger, bigger, bigger--POP! The loser's gum explodes all over his face and sticks. And the victor--well, HE chews Hubba Bubba.
At the risk of inviting every ignorant incest joke you know, and for the purpose of educating you, Bubba is a very common name in the South, which means “brother,” particularly “little brother.” Not everyone in the South is a redneck. We happen to have turned out some fine writers like William Faulkner, Eudora Welty, John Grisham, Fannie Flagg, Larry Brown, Willie Morris, Barry Hannah, Robert Harling, and Beth Henley.
Lauren – “Good God,” and “Cliché City” are cliché. Duh.
And Pat, it’s the throes of passion, not the throws of passion. And for a man named Pat, you don’t have much room to be talking.
And finally, for those of you who make rude comments and don’t leave a link back to anything you’ve written so that others can learn from your Royal Hindass, we can only surmise that you either haven’t written anything, or you’re ashamed of what you have written. I’m torn between two more clichés – one with a moral; people who live in glass houses … and one that simply states how I feel – f**k off.
You go, umbrellagirl (is that a cliche?).
lighten up a little. You gotta admit the name Bubba has a certain, special something. As for cliches, everyone uses them, that's why they're cliche. That doesn't mean I don't cringe every time one comes out of my mouth. (Or my keyboard.)
Cliches are like that third glass of wine--I know I shouldn't, but for some reason, I just can't help myself.
Now personally, I haven't submitted my query to EE. That's because it's currently circulating among agents, and I don't want them to see it picked apart and ridiculed here until they've found some other reason to reject me. I did use EE's wisdom to tweak it, and think I have something decent.
What you need to do is close your eyes, count backwards from twenty, and realize that we're laughing at ourselves too. And maybe Bubba, just a little.
Can't we all just get along? :-)
I think Umbrella Girl has a point. The problem with this; with query letters in general, actually; is that it's so hard to get a sense of the actual writing when you have to condense everything to a few paragraphs...
And, of course, separating the personal issues from the professional ones is gut-wrenching. We're all writers here, and we're all struggling toward the same goal. Let's be supportive.
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