Face-Lift 1477

Guess the Plot

Songs of the Empaths

1. "If you could read my mind," by Gordon Lightfoot. "Feel me" by Selena Gomez. Read My Mind," by The Killers. "I feel you," by Depeche Mode. "See me, feel me," by The Who.

2. Tired of humanity treating them like aliens, four empathic women form a Spice Girls tribute group, and tour Europe seeking acceptance. 

3. On a distant world, an exploration party comes across weird ruins with alien music playing over and over. The melody spreads throughout humanity driving everyone mad--not crazy, no, humans are used to ear worms. It's the aliens who will pay the price.

4. In a future where everyone is either normal or an empath, one empathic teenager is tasked with preventing time from unraveling--if she can avoid being thrown into the infamous Prison for Empaths. Also, a 14th-century Franciscan monk.

5. The empaths from the planet Torkon V are known for their mesmerizing voices. Also for their delicious organ meats. Will the newly arrived explorers from Earth treat them as entertainment? Or as dinner?

Original Version

Dear Evil Editor:

I seek representation for Songs of the Empaths, a 75,000-word science fiction novel.

Kati is a 16-year-old empath living in the 23rd century. In a world split between empaths and neurotypicals, empathic activities—like emotion and mind reading and mental persuasion—are banned by the authoritarian League. [If "emotion and mind reading" is one thing, I'd change it to "mind and emotion reading," as "mind reading" is often interpreted as a magic trick, like when a magician says think of a playing card and you think of the five of clubs, and then he cuts open a lemon, and there's a playing card inside and it's the five of clubs. Maybe just go with mind penetration and mental persuasion, which has the added bonus that it rhymes.] [If the empaths / neurotypicals split is about 50 / 50, the empaths could argue that they are the neurotypicals.]

Kati escapes the League's capital, Patriot City, to the Begelah tribe in the Western Territories. [If she hasn't been using banned empathic activities, why would she need to "escape"? Seems like the more empaths who leave the capital willingly, the happier the neurotypicals would be.] Here, empaths can openly develop and use their abilities. She forms deep mental connections with a diverse group of empaths from different historical eras, including Bernard, a 14th-century Franciscan monk skilled in the power of persuasion, [I wouldn't mind forming deep mental connections with a 14th-century Franciscan monk.]  [Just kidding.] and Anna, a brilliant polyglot from the 21st century. Together, they create a super mind called a "coterie," sharing thoughts, emotions, and, most importantly, their supernatural empathic abilities. 

As tensions rise between the League and the Begelah, a twist of fate brings Jaya, a 21st-century empath, into Kati's timeline. Jaya's arrival causes "time quakes" that threaten to unravel the entire timeline. Begelah spies discover that the League has coerced Jaya into using her powers as a shield against Begelah attacks. Merri, Seer of the Begelah, urges Kati to return to Patriot City and free Jaya from the infamous Prison for Empaths. Reluctant at first, Kati is driven to action when the League captures her mother. [No need to bring mother into the negotiation when you can just have Bernard persuade Kati to act.]

Kati returns to Patriot City with a small band of Begelah warriors, drawing on Bernard's powers of persuasion and her coterie's other unique abilities to outmaneuver the League soldiers along the way. 

[Soldiers: Hey, where do you empaths think you're going?

Bernard: I assure you it would be to your advantage to ignore these armed warriors.

Soldiers: What armed warriors?]

Their mission is clear: rescue Jaya from the Prison of the Empaths [In the previous paragraph it was called the Prison for Empaths. Not crazy about either name; considering the title of the book, you might call it Sing Sing.] and return her to her rightful time. This will stop the time quakes and give the Begelah the upper hand in the war. [What about freeing Kati's mom? Is that part of the mission?] 

The narrative unfolds through the perspectives of five main characters, including Jaya, Kati, and each member of her coterie. Immersive backstory chapters illuminate each character's journey. Songs of the Empaths will appeal to those interested in The First Law Trilogy's layered ensemble storytelling and the hero's journey found in Kingfisher's A Wizard's Guide to Defensive Baking. [Italicize these titles, including your own.]

I am a retired economics professor who lives in XXX, near XXX, with my husband and our toy poodle. I am currently enrolled in Stanford's Memoir Certificate program. Thank you for considering my work; I look forward to hearing from you.

Notes

Instead of empaths vs. neurotypicals, it should be polyglots vs. monoglots. 

So, if I have this straight, it doesn't affect the timeline if your thoughts and emotions go there, but if your body transports there, we could all be doomed? 

Are the neurotypicals okay with the timeline being upset? Aren't they worried they won't exist in the new timeline? Wasn't the timeline upset the moment Jaya disappeared from the 21st century?

Is this the only time a twist of fate has brought someone into a new timeline? And how can they send Jaya back, to the exact time she came from, if she only got here through a twist of fate? 

If they figure out how to send someone to another timeline, they'll start doing it all the time to change history or get rich.

 A title in the query queue needs your amusing fake plots.

https://evileditor.blogspot.com/p/query-queue_7.html

 

A new title in the query queue needs your amusing fake plots.

https://evileditor.blogspot.com/p/query-queue_7.html

Feedback Request

The author of the book featured in Face-Lift 1476  (just below this post) would like feedback on the following revision:

Dear [agent], 

I am writing to seek representation of my novel SALTFIRE, a 90,000-word Fantasy novel, which follows the alternating perspectives of Isolde and her painfully naive and hot-headed younger sister Noa.  

Life is bleak in West Vestia. War is looming, a violent theocracy has taken over the country, and Isolde Kylman cannot pay her rent. 

After her older brother dies, a nineteen-year-old Isolde is left to raise her three younger siblings, Noa, Eli, and Lilah. Isolde’s first priority is to either find a way to pay the rent or escape before they are separated in state-run shelters. Isolde, who has already resorted to prostitution, attempts to make one last desperate deal with her most powerful client in order to secure their housing. But her plan goes awry when he takes offence [offense, if you're in the USA]  to her offer and his resulting rage leaves Isolde injured and on the brink of death. A seemingly serendipitous rescue by Cassian, the Prince of the Kingdom of Tenney, allows Isolde and her siblings to reach safety in his neighboring lands. 

Recovered from her injuries and suspicious of Cassian’s generosity, Isolde wants to continue their journey, fleeing over the mountains; but Noa, who's been taking sword fighting lessons with Cassian, wants to follow him into battle. She is easily seduced by visions of glory and adventure, but not (to his annoyance) by Cassian--or any other man, for that matter.  

Isolde is not willing to leave her seventeen-year-old sister behind, especially after she learns of Cassian's plans when he comes of age and becomes King. Despite his moral opinion of the clergy and the Kylman’s family’s plight, Cassian intends to side with West Vestia in their war against the Southern nations in order to secure a lucrative trade deal for his kingdom and a piece of the disputed lands they’re fighting over. As Cassian’s birthday approaches and the war becomes more imminent, Isolde learns of a conspiracy to stop Cassian from joining the war. Unable to change her sister’s mind about leaving, Isolde must decide whether to get Eli and Lilah to safety, or to join the conspiracy [conspirators] and keep the war as far away from her sister [Noa] as possible.   

SALTFIRE  is the first entry in a planned duology, though it could function as a standalone work. It will appeal to fans of T. Kingfisher's "Nettle and Bone" and Hannah Whitten's "For the Wolf.” 

[bio] This is my first novel.  

I believe SALTFIRE would be an excellent addition to your list, as your [agent specific] indicates a preference for [agent specific]-- all of which my novel offers.  

 Thank you for your consideration.  

Best,

Notes

It's a big improvement. It's still longer than ideal. I think the threat that the kids will be separated (not to mention the war and and violent theocracy) is sufficient motive for the flight from West Vestia, so we don't need the prostitution/ enraged client in the query. Just say Isolde gets injured before they can cross the border. That, plus eliminating the red words would get it to the preferred length. (Not that anyone is likely to reject it solely for this reason.)

Does this world have magic or supernatural elements or fantastical creatures or whatever makes a fantasy a fantasy? If you changed the place names to countries in medieval Europe, would you call it a fantasy, or historical fiction? Just asking.

Face-Lift 1476

Guess the Plot

Saltfire

1. Did you ever wonder why table salt burns yellow and epsom salt burns white? This book of experiments covers the different color flames produced by various salt additives, from red all the way to violet. Also, basic fire safety. 

2. When the Utah Salt Flats catch fire, three teenaged environmentalists spring into action. If they can put out the fire, it'll look great on their college application resumes.

3. During the Salt War of 1540, between Perugia and the Papal States, Italy's salt merchants stand up to the pope, and pay the price. But will they gain sainthood?

4. With war imminent in their homeland four young Asperians try to escape death and having to pay the rent. They succeed in the latter goal.

5. The El Paso Salt War, which began as a local quarrel but lasted 12 years, is a little-known event in American history. But to the 25 men who died in that war, it was no laughing matter. This is their story.

Original Version

Dear [agent],

Life is bleak in Apser. War is looming, a violent theocracy has taken over the country, and Isolde Kylman cannot pay her rent. [When you put it like that, I find I'm not as sympathetic as you may want me to be about Isolde Kylman's housing situation. Though at least you didn't say . . . and Isolde Kylman just got a paper cut.]

SALTFIRE, an [a]  90,000-word Romantasy novel, follows the alternating perspectives of Isolde and her painfully naive and hot-headed younger sister Noa. 

[Isolde: We need to cut back on groceries. There's no money for the rent.

Noa: SCREW THE FRIGGIN RENT! I JUST GOT A PAPER CUT!!!]

After kicking their abusive father out, Isolde has taken control of the family finances and is acutely aware that they’re on the brink of eviction--even after their eldest brother Benji has joined the army to pay the family debts. [Is the person who's taken control of the finances contributing anything to them?] Her younger [youngest?] siblings Eli and Lilah are grateful to be rid of their father, but Noa, a favorite of their father’s and unaware of his cruelty, blames Isolde for both their lack of money and Benji’s absence. 

[Isolde: Dad was cruel and abusive to Eli, Lilah, and me. He had to go.

Noa: I HATE YOU! YOU'RE JUST MAD CAUSE DAD LIKED ME BEST!!

When Benji dies, [What? Benji was my favorite character.] and with him any hope of making rent, Isolde embarks on a desperate plan to secure their housing. The plan backfires disastrously, leaving a body in her wake [She murdered her landlord? Blew up a bank? Whose body?] with nowhere to go—but, a seemingly serendipitous rescue by Cassian, the Prince of the Kingdom of Tenney, and his royal advisor Rian allows the Isolde and her siblings to escape North Vestia. [And, conveniently, the rent.] Isolde nearly dies on the journey and Noa, who believes the whole family shouldn’t pay for her sister’s mistakes, has to be dragged across the border kicking and screaming.  

As Isolde recovers from her injuries, Noa, angry, bored and distrustful of the locals, takes an interest in Cassian’s sword fighting lessons and manages to weasel her way in. While her initial animosity turns to friendship, it soon becomes clear his feelings run deeper. Isolde recovers and learns not only of Cassian’s relationship with her sister, but also of Cassian’s plans to join forces with West Vestia when he becomes King. Isolde wants to flee over the mountains and leave Vestia [You've now mentioned Vestia, North Vestia, West Vestia, Tenney, and Asper. And whatever country or kingdom Cassian is going into battle against. Are you planning to include a map with the query? Are any of these places going to be on opposite sides in the war?] once and for all, but Noa, has already decided to follow him into battle. [How old is she?] She is easily seduced by visions of glory and adventure, though, distressingly, not by Cassian- or any other man, for that matter.

Isolde, not willing to leave her sister behind, enlists Rian to help her drag Noa across borders once more;  [There has to be a better way to get a kid across borders than always dragging her. Also, with all these place names, I'm not sure which borders are being crossed.] but, Rian refuses, and instead reveals a conspiracy to undermine the war before it begins. Isolde is left with a choice: escape with Eli and Lilah or stay and fight. [Fight in the war?]

SALTFIRE  is the first entry in a planned duology, though it could function as a standalone work. It will appeal to fans of Ursula Vernon's "Nettle and Bone" and Hannah Whitton's "For the Wolf.”

[insert bio] This is my first novel.  

I believe SALTFIRE would be an excellent addition to your list, as [insert agent specific info].  

 Thank you for your consideration.

Notes

The name "Benji" doesn't seem to belong in here. 

You call it a romantasy, but the only hint of romance is Cassian's unrequited romantic interest in Noa. 

Isolde and Noa may share main-character roles in the book, but the query should focus on one of them.

This is too long. Here's a version that's possibly a bit short, but leaves room for you to add whatever's crucial that I left out.  [I dropped the father, the dead person, and Rian. Eight or ten characters is a lot to cram into one page. Also dropped the border crossings. I couldn't tell which borders were being crossed anyway. Presumably from Aspen or one of the Vestias to Tenney the first time? But what border Isolde wants to cross after she recovers isn't clear.]

After her older brother dies, Isolde is left to raise her three younger siblings, Noa, Eli, and Lilah. And priority 1 is getting them out of Asper before the coming war breaks out. But before they can reach their destination--any destination--Isolde is injured and nearly dies. A seemingly serendipitous rescue by Cassian, the Prince of the Kingdom of Tenney, allows Isolde and her siblings to reach safety.

Recovered from her injuries, Isolde wants to continue their journey, fleeing over the mountains, but Noa, who's been taking sword fighting lessons from Cassian, wants to follow him into battle. She is easily seduced by visions of glory and adventure, but not (to his annoyance) by Cassian--or any other man, for that matter. 

Isolde is not willing to leave Noa behind, especially after she learns of Cassian's plan to whatever. But as the war becomes more imminent, she must decide whether to get Eli and Lilah to safety, or stay and fight. 

[It's not clear whether the conspiracy is Cassian's or just Rian's, or whether that's an issue in Isolde's decision. Nor which characters have a romance.]

What also isn't clear is whether the king is on his deathbed or 40 years old. Cassian’s plans to join forces with West Vestia when he becomes King seem irrelevant if he won't become king for 30 years. We don't know if joining forces with West Vestia is a good thing or a bad thing, in Isolde's view, because she's from  Asper, and we don't know where Asper is, or anything about West Vestia's politics. 

I can't tell how old any of the characters is. Eli & Lilah could be toddlers or teens. Isolde could be 18 or 30.  

Face-Lift 1475

Guess the Plot

The Secret Life of a Pet Detective

1. Clark needs money to pay his debts. He discovers there's a reward being offered to anyone who finds a missing poodle. So he hangs his shingle, and the rest is history.

2. By day, he's a pet detective. But at night, Trent Faxbury is secretly . . . still a pet detective. Because night is when nocturnal pets like owls, raccoons, and bats commit their crimes.

3. When Ace Ventura, pet detective, sets up a branch office across the street from Michele Lawrence, pet detective, it means war. This block of Main Street isn't big enough for both of them, and she was here first.

4. Antoine, parrot extraordinaire, helps Mindy Mills (age 7) as she helps her classmates discover what their pets need and want in life. But on the side, Antoine is a stooge involved in exotic bird rescue and return. The crackers hit the fan when he falls for a sexy macaw smuggling pangolins.

5. When her pet detective business slows to a crawl during the pandemic, Paula moonlights as a magpie detective, finding missing bracelets, keys, and other sparkly objects stolen by the winged sneak-thieves.

Original Version

Dear agent, 

I saw on your MSWL that you’re looking for______. I hope you’ll consider my adult mystery novel THE SECRET LIFE OF A PET DETECTIVE complete at 75,000 words. It combines the whip-smart detective from G.T. Karber’s Murdlebook series in [with] the eccentric small town [characters] of Kristen Perrin’s How to Solve Your Own Murder. It features #ownvoice Asian American experience with a multicultural cast, themes of found family, and unreliable narrators. [Better to put this paragraph at the end of the plot summary. Also, the Murdle books are not a good comp for a novel. They're just collections of short logic problems that the author made about murders. In which case the whip-smart detective who solves the crimes is the reader. It's almost like comparing your novel to the wit in Jumble, the scrambled word game. Also, maybe it's just me, but it kinda sounds like you're saying you took Karber's detective and put him in Perrin's town. So maybe say something like : It combines a Sherlockian detective with eccentric small town characters like those in Kristen Perrin’s How to Solve Your Own Murder.] 

Twenty-three-year-old Clark Zhang is dying on the inside. After being booted out of Harvard, [why?] he finds himself having to study online to finish his degree while also juggling three dead-end jobs to assist paying off his parents’ mortgage they took to pay his student fees. If only he could escape that mediocre life. When his cop buddy, Stephen McCarthy, offers him a gig searching for the wealthy Baxter family's missing poodle, he pounces on the opportunity. With the reward money, Clark could act as a guarantor to prevent the bank from foreclosing his parents’ house. [That was a lot of words to say:

Booted out of Harvard for cheating, Clark Zhang is juggling three dead-end jobs to pay off his debts when his cop buddy Stephen offers him a gig searching for the wealthy Baxter family's missing poodle. With the reward money, Clark could pay down his parents' mortgage before the bank forecloses on their house. It's the least he can do, as they paid his tuition.

Now I have a couple questions. Why does this cop get to offer this gig? Usually the pet owner puts up some notices with a photo of the missing dog. Did the Baxters contact the police about their missing pet, and the police said, We'll put our best man right on it? If I asked a cop to find my dog, I wouldn't be happy if he pawned the job off on some guy who just got thrown out of school for being a heroin addict or stealing his roommate's wallet or torturing the dean's border collie. Also, most of the rewards for missing pets that I've seen have been a couple hundred dollars, tops. Clark apparently expects to get enough to make a few mortgage payments, cover the lost income from his jobs, escape his mediocre life, and retire to Beverly Hills.]

Then, he discovers why he was hired: someone wants the family heir, fifteen-year-old John Baxter, dead. [Usually it's the heir who wants someone dead, namely his parents. Who's second in line to inherit? That's my guess for the top suspect. Although, unless the parents are dying, killing the heir won't matter for decades. I suspect someone just wants John dead because he's a jerk, and it has nothing to do with his being the heir. In which case maybe you should call him 15-year-old John Baxter Jr.] Only a harmless pet-detective like Clark can dig around town using the missing poodle as a cover story and find the origins of the death threats targeting John. [Is there a missing poodle?]

[Mrs.Baxter: Our son's getting death threats! Call the police. 

Mr. Baxter: Already did. They said death threats aren't their field of expertise, so they handed it off to a novice pet detective.] 

But with Baxter's reputation, it seems every townie might just have a motive for East Valley's golden boy’s murder.

When a [household] security guard of the household is killed and John disappears, it's up to Clark to save the day. [Because murder and missing persons/kidnapping cases also aren't the police department's field of expertise. Is there any crime this police department won't foist off on a pet detective? When you dial 9-1-1 in this town, the operator asks, ambulance, fire department or pet detective?] With a Foreclosure notice looming over him, he can’t turn back, even when the death threats start showing up in his apartment. [He can't turn back from finding the poodle. He can offload the job of finding John to the FBI.] [No need to capitalize "foreclosure."]

I’m a Chinese Canadian female writer passionate about mysteries and multicultural narratives, who spends too much money on audiobooks.  

Thank you for considering my submission

Notes

I'm not sure why asking around about a missing kid requires the cover story that you're asking around about a missing dog.

It seems Clark expects to walk into some seedy part of town, and it goes:

Clark: Have you seen a poodle?

Shady character: No. Now get lost, I'm trying to compose a death threat letter.

Do these death threats to John just say I'm gonna kill you, or is there an "if you X" or "unless you Y"? Death threat sent to Clark: Either you stop trying to find out who's sending death threats to John, or we'll kill you.

You might want to provide some evidence that your whip-smart detective knows what he's doing. He's basically a loser with no experience investigating crime. Or finding dogs.

What are the top motives people have for murdering John? How did he get a reputation so bad that every one in town has a motive to murder him? All we know about him is he's the golden boy. Not everyone who's called "golden boy" is necessarily hated. Take Tom Brady. Okay, he's hated, but not in his home town.

Much about this strikes me as middle grade. Imagine 15-year-old Clark got booted out of high school and has to find 12-year-old John. Clark sees lost dog notices and decides to go after the reward. Not to pay back his parents for tuition, but just to help them out of debt. You might have to drop the murdered security guard, and there are few reasons a 12-year-old would be getting death threats. Then again, there aren't so many reasons a 15-year-old would get them.

With a missing son (and poodle?) the Baxters should be getting ransom demands, not death threats.

It's possible everything I've brought up is neatly explained in the book, but if it's not explained in the query, the reader may not assume there are logical explanations.  

  

A title in the query queue awaits your amusing fake plots.

https://evileditor.blogspot.com/p/query-queue_7.html

Face-Lift 1474

Guess the Plot

The Journey to the End of Things

1. The experience of cleaning my room and getting ADHD sidetracked, where I find something from 4 years ago and get entirely engrossed in this New Thing, until I run out of time to do the Original Thing I had set out to do. That. 

2. A couple get trapped in a library together, and discover books from every time period, somehow all the way back to the beginning of things, which is also somehow the End of Things.

3. To save her brothers from a curse, Princess Alianna is given a quest to meet the wizard at the End of Things. It would have been nice to know it was a local bar months ago.

4. What should have been a four hour trip has stretched to nearly ten hours due to heavy traffic, bad weather and an absurd number of bathroom breaks. Nick's wife has passed the time pointing out when he is driving too fast or too slow and chiding him on, of all things, "trusting his brakes too much." The two oldest kids have escalated a territorial dispute over the middle seat to the point where one or both might require hospitalization. The youngest is rocking violently in her car seat as if possessed, incessantly chanting "are we there yet?" Up ahead, Nick sees a gap in the guardrail along the edge of the cliff and finally has hope that there may be a way to get out of seeing his mother-in-law this weekend after all.

5. When Sam dies in a car accident, she finds herself in Hades. Which is where she assumes her father also is, so she goes looking for him. But if she can't find him within a couple days, they'll both be stuck there forever.

6. Obsessive compulsive Frederique Nanaczka sets out on a road trip with his best friend Schlurpy, his beagle Watson, and two gold fish, to reach the end of the road, but gets stuck in rush hour traffic. Six hours later they debate calling the whole thing off and catching a movie instead.

Original Version

Dear [Agent],

No one’s escaped the Underworld before but that won’t stop Sam Katopodis from trying.

 

After waking on the shores of the Styx following a fatal hit-and-run, Sam expects to be damned to Tartarus. What other afterlife could there be for a person who accidentally killed their father months prior? [It was an accident. And she thinks she should be thrown in with the worst of the worst?] But, instead of eternal suffering, Sam soon learns her death was a mistake before [when] a sympathetic Hades offers her a deal she can’t refuse. She’ll have three days to find her father, make amends for his death, and return to the Styx for her resurrection. If time runs out, she’ll be trapped in the realm forever. 

But Sam doesn’t want forgiveness, not when she could reunite her family by rescuing her father instead. 

 

If only she knew where he was, something Hades refuses to disclose. Sam enlists the help of Pollux, a demigod who’s spent centuries looking for his lost brother, as her guide. [You have three days to find someone, and you choose, as your guide, someone who's spent centuries failing to find someone?] Together, the pair journey across the Underworld in search for [of] her father, [That already sounds like it would take more than three days. And the three days is for the round trip, so she has to find her father in 1.5 days.] discovering a city filled with memoryless souls that resets every night [Just searching one city would take more than three days.] and traversing [searching through?] the Library of Alexandria. But everywhere they look is another dead end. [Did Pollux ever look for Castor on Mount Olympus instead of in Hades?] As Sam struggles to figure out where her father might be, [Did she try Tartarus?] she’s forced to grapple with her grief while learning life continues after loss. [She's dead, her father's dead, Pollux is dead, the millions of damned souls around her are dead, and this teaches her that life goes on?]

 

Even if she manages to find her father in time, Sam still needs a way to get him out. After discovering the demigod [Pollux] has a divine relic that ensures escape, she’s forced to choose between the companion she’s falling for and fixing her past. [So the relic can be used by her and her father? Will Pollux need the relic to escape if he finds his brother? Is Pollux falling for Sam? Can Sam, her dad, and Pollux all escape with the relic?] Though none of that will matter if she can’t make it to the Styx before time’s up. 

 

THE JOURNEY TO THE END OF THINGS is a dark contemporary fantasy, complete at 103k words. This story will appeal to readers who liked the folklore-steeped expedition of When Among Crows by Veronica Roth and the twisted fairytale of Nettle and Bone by T. Kingfisher [and Netflix's Kaos, which is also about a guy who goes to the underworld to find his soulmate who died in a hit-and-run].

Though intended as a standalone, it has potential for expansion. [As does Kaos, though I hear it wasn't renewed.]

 

I thought you’d enjoy my manuscript because [insert reason].

 

This story came about after losing my father in the pandemic. My background is in academia, having completed an LL.B. and MSc International Relations at the University of Glasgow before receiving my Juris Doctorate at UCLA in 2020. I currently live in [City] with my partner and our cat, Nyx. This is my first novel.

Notes

Searching all of the Underworld will probably take her three decades, but in the interest of brevity, I'll settle for three weeks. Maybe time is different in Hades, and what seems like years to us is mere minutes there? Wait, do they have internet in the Underworld? Because Sam could Google her father to find out where he is. I can't believe they have a library but no internet.

Feedback Request

The author of the book featured in Face-Lift 1468 would like feedback on the following version of the query.

Dear agent,

When seventeen-year-old thief, Dex, collides with an assassin, she seizes the opportunity to steal one of his fallen letters. The note promises gold for delivering a gift basket—enough to buy her sister’s freedom from the brothel. But Dex’s plan unravels when the delivery is an actual contract, and when she tries to flee, she’s framed for murder. [Not clear to me what you mean by the delivery is an actual contract. The gift basket contained a contract? Is she supposed to deliver a contract to someone? Why does that make her flee, rather than just deliver the contract?] [Who got murdered?]

On the run, Dex is captured by the assassins she impersonated. Thinking she fulfilled the contract, they offer her a choice: join their ranks or die. Terrified they’ll learn the truth, she accepts and begins training with Tristin, a ruthless mentor. Slowly drawn to him like a poison, she realizes he holds many secrets, enough to question where his true loyalties lie. [People aren't normally drawn to poison, so I'm not sure what is meant by "drawn to him like a poison." Is she drawn to him like he's poison, or like she's a poison, or is she drawn to him like poison is drawn to him? None makes sense to me.]

As she plots her escape, she uncovers the assassin's plan to steal a powerful artifact that can control kingdoms—freeing her sister might be impossible now. Worse, Tristin’s secrets could endanger her sister’s life. Now Dex must decide: play along or risk everything for her sister, knowing one wrong move could mean disaster. [Vague.]

Mix Assassin’s Creed with Pride and Prejudice to get BROKEN VOWS AND STOLEN HEARTS (89,000) a YA romance fantasy. Readers will be swept up by this gritty tale of betrayal and loyalty. This is a standalone novel with series potential. It will appeal to readers who like Heartless Hunters by Kristen Ciccarelli and One Dark Window by Rachel Gillig.

Notes

I have less of an idea of what is going on than I did after the previous version. And it doesn't seem that you went with many of my previous suggestions. Which could mean they were irrelevant. Maybe I need another cup of coffee, and one of my minions will steer you right in the comments.