Guess the Plot
1. When adventurer Amelia dies near the summit of Mount Everest, she finds herself in her own personal hell: holding down a tedious office job on the production staff of the afterlife's most popular reality show, Romance Live Stream.
2. After foxy Wendy Fitz says she'll never date Bill "One-Up" Stetson, he tells her she'll never forget him. The fates conspire against them both with experimental magic, mad science, and multiverse time travel to prove them wrong. And right.
3. The latest rumor in Hell is that whoever climbs the highest mountain, Neverest, can escape to purgatory and finally find some rest. Is it true or simply the latest diabolical torture? Mountain climber Sid Shanks is about to find out.
4. Asked by his teacher for an example of an adjective along with its comparative and superlative forms, Joey replies, "never, neverer, neverest. She compliments his answer profusely, rather than risk he'll murder her after class. Just another day in the Newark school system.
5. It had always been Marion's dream to scale Everest, but when she gets halfway up and sees the mess of garbage and frozen corpses cluttering the once-pristine mountain, she turns back and starts a Go-Fund-Me project to raise money for trash bags, body bags, and a community cleanup project.
6. In a parallel universe, climbing Neverest is the goal of the most daring mountaineers, not because of its height so much as because it's crawling with abominable snowmen who will stop at nothing to protect their home from interloping humans.
NEVEREST is a gender bent reimagining of Dante’s Purgatorio, complete at 100,000 words. Like Olympus, Texas it is inspired by literature and weaves together a narrative through the eyes of multiple characters; like The Good Place, it explores a dysfunctional afterlife and uses satire to question the status quo. [Or, to put it more succinctly, Neverest is a combination of an 800-year old poem no one has read, a novel(la) no one's had time to read because it just came out in May, and a TV sitcom.]
Amelia Morgenthal had a distinguished life: daughter of a billionaire, an adventurer and mountaineer [Wait, she had three parents?]––until she died near the summit of Mount Everest. [I don't see "distinguished" as descriptive of the life of a mountaineer, adventurer, or billionaire's daughter. If we just go with adventurer and mountaineer, you could call her life rip-roaring or electrifying or stimulating. Having peeked ahead, and seen that her parents and her finances are never mentioned again, I think we can leave out the billionaire's daughter line. Which leaves us with: Adventurer and mountaineer Amelia Morgenthal led an electrifying life––until she died near the summit of Mount Everest.] In the afterlife, she’s a failure, stuck for decades as a caseworker in the Life Imbalance Modification and Betterment Office. [I deleted the failure part because I suspect she did a good job as a caseworker, despite finding the work tedious. ] [It might be better to say she's stuck for decades in LIMBO--the Life Imbalance etc....] Just when she thought nothing could get worse, a routine New Soul Intake goes awry. Rosealie Durante arrives screaming, and in a fit of frustration, Amelia erases the young woman’s memories of her last day, hoping to shut her up. [If you want us to sympathize with Amelia, "hoping to ease her transition (or her mind) would be better than hoping to shut her up.] The shortcut is a mistake; Amelia has unwittingly interfered with The Colloquium’s favorite cosmic reality show––Romance Live Stream #1. [It sounds like Rosealie is in the fit of frustration until I examine the punctuation carefully. To keep it clear, you could try: Rosealie Durante arrives screaming in terror (or anger or whatever). In a fit of frustration, Amelia erases the young woman’s memories of her last day, hoping to shut her up, but unwittingly interfering with The Colloquium’s favorite cosmic reality show––Romance Live Stream #1.] [Also, the TV show needs a catchier title. Love Eternal or Match Made in Heaven or Paradise by the Deathbed Light.]
The Colloquium, a mysterious collection of souls who influence life on Earth, demands that Amelia tend to Rosealie while waiting for the other half of her fated bond, Max Lieberman. There’s just one small problem: Amelia erased a long-awaited reconciliation between the two. So when Max arrives ready to resume his relationship with Rosealie, he is promptly rejected, and Amelia must get the two wayward lovers back together. [You know, if you spell her name Rosalie, Blogger's spell check won't keep underlining it in red.]
The more Amelia discovers about the couple and their past lives, the more she is convinced that they deserve to be free from The Colloquium’s voyeuristic gaze and each other. Rosealie becomes the one person who makes Amelia feel seen, and Amelia decides she cannot betray her new friend, [It would be a betrayal to get her back together with the man she just chose to get back together with? So the colloquium was behind their reconciliation?] even if it means giving up on freedom. [Not sure what that means. Is Amelia a prisoner? Or does she get to do things on the weekend and holidays, like watch Romance Live Stream #1 and go to harp concerts?] She confesses everything to Rosealie and the women form a plan to escape, [From where to where? Wait, do they climb through the seven levels of Colloquia?] but The Colloquium has a secret weapon––Max––and they are willing to do anything to keep their beloved show running. [The show got along fine before Rosealie died, why won't it get along without her now?] [Is Max a secret weapon because he's working with the Colloquium? Or are they just threatening him if Rosealie doesn't take him back?]
Despite all the blue words, it's not bad, in that it's organized and has some specificity. But it inspires a lot of questions about the plot, which should be avoided unless you want to answer them in the query.
Is it really a reality show if the Colloquium can demand that the plot progress exactly as they want it to? The Bachelor season doesn't end immediately if the bachelor doesn't give a rose to the woman the producers wanted him to end up with.
If you die, and find yourself in a job as a caseworker who investigates the past lives of new arrivals in the afterlife, and you believe nothing could get worse, I have no sympathy for you. That job sounds fascinating. I can think of lots of worse stuff, much of it described in detail in Dante's Purgatorio.
Speaking of which, I don't think calling your novel a reimagining of Dante’s Purgatorio in your first sentence is going to entice a lot of people to venture into your second sentence. If your book is light, like The Good Place, You don't want to compare it to something really heavy. And I'd put the first paragraph at the end of the plot summary.
Popular works (among hundreds) that mix afterlife with reality: Good Omens, American Gods, Heaven Can Wait, half the seasons of Supernatural. Your book may have a similar tone to one of these.
Because most of the plot takes place after the Everest tragedy, and in another world, the title comes across as an attempt to be clever or cute or funny. Doesn't work for me.