Face-Lift 1436

Guess the Plot

 Dark Lord's Daughter

1. She doesn't want to be known as a conquest, a rival, a bitter ex, and especially not as her father's daughter. Journey with Eliza as she finds her own path, even one as a hero.

2. In a country where a dead king is succeeded by whichever heir gets to the throne first, the race is on. Princess Tia would make the best monarch, but can she outwit her evil sisters' saboteurs and reach the capital before either of them?

3. What became of Dracula's daughter? She had the castle in Transylvania remodeled, started her own real estate company, and sold cosmetics on the side. Blood red lipstick was her biggest seller.

4. Evila is tired of smuggling would-be heroes into the castle only to have to mop up their remains a few minutes later. It's time to set up a tourney and a series of tasks to prove they've got a chance. And well past time to hire a cleaning staff.

5. Think Romeo and Juliet--if Romeo were a tantrum-throwing narcissist and rebellious Juliet were a monster hunter from a clan of pharmaceutically-inclined hippies--until the end which is more The Road to Bob Hope meets Lord of the Flies.

6. Everyone cheered when the Dark Lord was killed. They'd been under his thumb for decades. What they didn't know was that the Dark Lord was a pussycat compared to the . . . Dark Lord's Daughter.

7. When Lucy's mother remarried someone tall, dark, and handsome, Lucy thought she'd only need to deal with racism, not a parallel world with people declaring war after she wears the wrong colors to a party. After a crash course in etiquette leads to another declaration of war, she suspects step-daddy may be using her. But, hey, whatever the price to bring peace to a unified world.

Original Version

 Dear [agent]:

The princess was abandoned as a child at the Dark Lord's dungeon. Ten years later, someone has finally come looking for her. 

Twenty-year-old princess Tiamat just wants to teach and learn magic, but when the king is dying, Tia has no choice but to begin traveling to the capital to take the throne. If she doesn't take it before her older sisters, the country will descend into war. [I don't see why the only way to keep the country from descending into war is if a twenty-year-old woman who's been in a dungeon since she was ten takes the throne. How does anyone on either side of this potential war know what any of the daughters' reign would be like?] [If the king and the Dark Lord are not the same person how can Tia be called a princess if she isn't the king's daughter? If they are the same person, wouldn't his dungeon be under his castle, rather than a long way away? Has Tia been a prisoner in the dungeon for ten years? Or just living there to learn from the Dark Lord? Could she have traveled to the capital any time she wanted? Or did someone have to break her out of the dungeon when the king was dying? Very kind of them, though even kinder would have been to break her out years ago, even if the king was in good health.] 

As Tia travels the country with a paladin, a huntress, and a criminal, she gets a better look at the world outside the dungeon. Her magic and leadership are both put to the test when every town seems to have [has] its own problem she needs to solve. ["It has or has not. There is no seems."--Yoda] With one of her sisters already in the country, [If the king has even a mild cold, I would expect the evil sisters to be hanging around the throne 24/7, not off in another country.] fighting against her, she has to defeat her sister's spies and saboteurs, or watch everything fall to pieces around her. [I get the impression if she doesn't defeat the spies and saboteurs, she won't won't be watching anything.]

Complete at 109,000 words, DARK LORD'S DAUGHTER is an adult fantasy set in The Kingdom of the Valley, a magical version of Mesopotamia reaching the Industrial Revolution. [If this is the Industrial Revolution, I think Tia would hop a train to the capital instead of wandering from town to town solving people's trivial problems. Time is of the essence, and you can bet her sister is on her way to the nearest train station as we speak.] It will appeal to readers of the Cradle Series and Fullmetal Alchemist. Dark Lord’s Daughter has potential for a sequel following Tia's story as she continues to deal with her other two sisters.

[reason why submitting to this agent]

I have been reading for as long as I can remember, and started writing when I was nine years old, when I wrote a story with an entirely too-competent main character who looked suspiciously like me. Thankfully, I have improved as a writer since then. [Let the agent decide for herself whether you've improved since then.]

Per your submission guidelines, I have included [requested amount of the manuscript]. Thank you for your consideration.

Notes

The king's daughter was abandoned at the Dark Lord's dungeon. This suggests you're talking about two different guys. The title of the book convinces me they're the same guy, because how can the Dark Lord's daughter be a princess and become the monarch when the king dies? But you don't mention the title until after the plot summary. So when your reader finally gets to the title, they think, Who's this Dark Lord guy and why doesn't he do anything in the query? Then the reader thinks, The queen must have had an affair with the Dark Lord twenty years ago, resulting in the birth of Tia, and the queen confessed this to the king ten years ago, and that's why the king murdered the queen and ordered Tia dropped off at the Dark Lord's dungeon. Wait, have I stumbled onto the actual plot of your book? Because my version sounds a lot better than what I thought was the plot.

I don't think you need that first paragraph. You don't ever say who abandoned the princess or why, or who came looking for her or if they found her. You do mention that there's a character who goes by "Dark Lord" and he has a dungeon, but that's the only time you mention Dark Lord except when you reveal the title. 

As the king apparently has three daughters, maybe the title should be The Dark Lord's Daughters. Was Chekhov's play Three Sisters titled Sister? Was the sitcom My Three Sons titled My Son? Did you leave the other two sisters out of the title because they weren't nice people? That would be like Dracula being titled Jonathan Harker. Kramer vs. Kramer would be Kramer. Snow White and the Seven Dwarfs would be Snow White and the Six Dwarfs, because Grumpy was . . . grumpy.

You can't answer all my questions in this query, but if we assume there are a few facts that you've kept from us that would miraculously clear everything up, and that do clear it all up in the book, you need to write a query that doesn't inspire all these questions. A fairly general example:

Twenty-year-old princess Tiamat wants nothing more than to teach and learn magic, but when she hears that the king is dying, she abandons her studies and heads for the capital. She knows if she can reach the capital before either of her malicious sisters, she can take the throne and avert a disastrous war for the country. But getting there won't be easy, as her sisters' spies and saboteurs are out to stop her at any cost. 

Luckily, Tia has three companions traveling with her: a scarecrow, a tin man and a  paladin, a huntress, and a criminal. Together, thanks in no small part to Tia's leadership and magic, the foursome are able to thwart their enemies as they make their way toward the Emerald City. Little do they know their problems are just beginning.

 [Final obstacle/decision/plan]

Face-Lift 1435

Guess the Plot 

Vitality Discovered

1. You, yes YOU can sprightly JUMP out of bed in the mornings, keep those bright eyes OPEN, and get UP every other part of you that needs getting UP. Buy this book and everything but your bank account will be REVITALIZED!!!!!!!!!!

2. In a world where people can steal the vitality of others, siphoning their lives from them, is it immoral for Lucy Fellows, a woman whose body is riddled with leukemia, to steal the vitality . . . of her own children?! This and other questions of ethics.

3. Failed software-pirate-cum-barista Lon Zebos reaps billions through pinpoint targeting of a susceptible demographic: people who still use email. Yes, old people. Thanks to his uncanny ability to devise irresistible email subject lines, the over-70 set respond by the millions with the numbers of their bank accounts and credit cards.

4. The planet Fertile was colonized to let the Children of the Plenty do what comes naturally. When a virus attacks the ability to create the Seed, women exile the infected to a remote island, and kill any men who attempt to escape the island. But the joke's on them, because a plant found only on the island is making the infected virile again.

5. Olivia is suffering. Call it apathy, inertia, melancholy, sluggishness. She mopes all day every day, the weight of the world on her shoulders. But that all changes the day her secret crush, 15-year-old Bradley, while passing her in the hallway between classes, nods at her.

6. When Lauren complains that she's lost her "get up and go," her doctor prescribes the same remedy doctors prescribed a century ago: cocaine. It works, and if it begins Lauren's long plummet into the depths of addiction, homelessness, crime, and an early death, so be it. 

Original Version

Dear Evil Editor,

Eighteen-year-old Emily Fellows has lived with debilitating lethargy throughout high school. [That describes every high school girl.] [Or boy.] [Or teacher.] Tracking her healthy times leads to a disturbing link: she only has energy when her mother, Lucy, is away. [What teenaged girl doesn't have her energy drained by her mother? On the bright side, she's 18; time to move out and go to college or get a job. Problem solved.] [Does she mention this link to her mother?] And worse, her precocious thirteen-year-old sister Kayla is starting to experience the same symptoms. 

[Dr. Cuddy: House, I have a case for you. Two teenaged sisters who are lethargic whenever their mother is around.

Dr. House: This sounds serious. Lock down the hospital. I'll drop all my other cases and get my team right on it. Are the girls in quarantine? 

Dr. Cuddy: That's sarcasm, right?]

For sixteen-year-old Justin Fellows, breaking his leg at soccer is amazing. [That would be amazing. Make him a parkour racer] inner sight blossoms and he sees sparkling energy coursing along his blood, as well as in an overarching pool. 

[Now I'm lost. Does "inner sight" mean he sees his blood coursing through his veins?] [Or did he break his leg so badly that his femoral artery is spewing blood all over the place?] [I don't think "overarching" is a good adjective for any kind of pool.] [If you break your leg, you would be screaming in pain, the game would stop, other players would gather around you, and someone would call for an ambulance. Instead, everyone ignores Justin while he gazes at his blood and thinks, Wow, pretty sparkles! Maybe he should just skin his knee. That's at least as likely to draw blood as a broken leg.] [I hope the kid who broke Justin's leg at least got a yellow card.] And he can influence this network of vitality to heal himself. [Just in time to get back in the game and score the winning goal! This is just like The Karate Kid!] Seeing the same vitality configuration within his sisters, he is delighted-- until he realizes that he's stealing from them. Self-blame spikes: Emily doesn't have an energy problem; she has a Justin problem. [Every teen girl with a younger brother has a Justin problem.]

Despite Justin's doubts and self-recriminations, the youths investigate their abilities. Vitality networks seem unique to them, and Justin learns how to heal minor injuries in others [and immediately opens a highly profitable orthopedic clinic.], while Emily and Kayla gain some control over how they share vitality. It's a wonderful secret adventure until they learn that healing can go wrong, and sharing can be deadly. They see a special spider quite literally sucking the life out of a special butterfly. [Spiders suck the life out of butterflies all the time. It's called lunch.] And during a campus tour, a creepy boy calls Emily his Chosen and starts draining vitality from her. [Can you tell when someone's draining your vitality? If so, does Emily say, Whoa, whoa, GTF away from me? Does she call the campus police?] Childhood stories from their great aunt spring to mind... Stories in which they have powers, and the dangerous Chosen suck the life out of special people just like them. [If the bad guys call the people they suck the life out of their Chosen, and the good guys call the bad guys the Chosen, all of your characters are Chosen.] [And if everyone's Chosen, suddenly being Chosen isn't such a big deal. It's like if everyone could talk to fish, Aquaman would be just another guy.]

Lucy returns from a long trip exhausted and horribly gaunt. Her system desperately needs energy, and she unknowingly siphons vitality from her daughters. [I've been wondering about the mechanics of the transfer of vitality from one person to another. So it's a siphon? Presumably a metaphorical siphon, as it would be impossible to unknowingly siphon anything out of anyone using a hose.] The Chosen may be a scary reality, but a more immediate and terrifying danger confronts them.

Leukemia is killing their mother. [Finally, the genre is revealed: literary fiction.]

Vitality Discovered is my debut novel and is complete at 99,000 words. It shares difficult discoveries and the mystery of hidden powers found in The Light Through The Leaves by Glendy Vanderah, and the exploration of rare genes and the importance of relationships in Alice Sabo's Children of a Change World series.

Fifteen years abroad, mostly in Asia, help me set the scene for several important chapters in this book. Now permanently resettled in Toronto, my wife and I enjoy travel and the theatre, and I try to stay young by playing old-guy recreational sports.

Thank you for your consideration.

Notes

I don't see why Emily's and Kayla's lethargy would abate when their mom is away, if Justin also unknowingly steals their vitality.

If Emily is two years older than Justin, why hasn't she noticed sparkling energy in her blood? Pretty much every 18-year-old girl has seen her blood. With regularity. 

When does unknowingly siphoning someone's vitality happen? Anytime you're near someone with more vitality than you? That wouldn't explain why Justin was unknowingly stealing from Emily. Or why lethargic Emily wasn't unknowingly stealing from Justin.

I think it would be better to focus on one person as your main character. I was gonna say drop Justin from the query, but now I'm thinking, drop him from the book, and make Kayla the 16-year-old soccer player. This is America, where girls are better at soccer than boys anyway. Not only would you have one fewer character to manage, but you'd cut a lot of words, which is a good thing.

Your characters are teenagers. You should declare the book YA.

Can Emily heal minor injuries? Or is everyone affected differently by their network of vitality? Speaking of which, the terms "network of vitality" and "vitality configuration" may be clearly explained in the book, but leave them out of the query. 

It seems unknowingly siphoning vitality is a genetic trait that runs in the family (apparently the great aunt is familiar with it), yet it seems Lucy knows nothing about it, as she would have told her children it was coming. And taken steps to avoid stealing their vitality.

There was a Star Trek episode called The Empath, in which the empath could absorb other characters injuries and pain. She was handy to have around if you'd been tortured, but she could take only so much. Is Justin an empath?

Start over. Paragraph 1: Pick a main character. Tell us who they are, including any super powers they have. Tell us what their overarching situation is, including whatever goal they hope to accomplish. Possibly that's saving their mother. If so, don't wait until the last sentence to mention it.

Paragraph 2: What obstacle must they overcome to succeed? Possibly that's the fact that to provide vitality to their mother requires losing so much of their own vitality they'll die. Or maybe it's these annoying Chosen people. What's their plan to deal with this obstacle?

Paragraph 3: Presumably their plan fails. What went wrong? Do they have a plan B? Is there a crucial make-or-break decision they must now make that will determine the outcome?

Possibly that organization will need some tweaking. You don't want the query raising lots of questions that you don't have room to answer. 

Face-Lift 1434

Guess the Plot

Eyes of the Starry Jewel

1. A rock band solves their slight audience-petrification problem with a sunglass advertisement contract. But when the high notes hit shattering frequency, gorgon slayers become the least of their problems. Also rabbits.

2. The Starry Jewel is the most beautiful life-like doll the Emperor commissioned. The only thing the artisan is missing is the perfect eyes. Beatrice happens to have the perfect pair, her own. Can she escape before becoming a work of art?

3. Nahim and Shamika Mahmoud are a brother-sister archaeology duo sent to the planet Coiter by the Inter-Dimensional Global Acquisitions Federation (IDGAF) to find the hidden tomb of Queen Pen-in-senas. The tomb is believed to contain jewels which could restore power to the planet, and allow for the construction of a new space port.

4. Once again the fate of mankind rests with one human, but this time it's a monk who lives in a monastery called Eyes of the Starry Jewel. He believes all he has to do to end the apocalypse is decipher the secret clues he's sure are hidden in a book that he's not allowed to read.

5. To the naked eye it's just a big sapphire. But magnified, it's a 3-D map of the galaxy and NASA, the Vatican, and the military all want it. Jody, who found it on his farm, is willing to sell it. Bidding starts at seventeen million.

6. The government calls it the Starry Jewel, a giant telescope launched into space to seek out life in distant solar systems. But conspiracy theorist Donald knows the truth: the telescope is trained on Earth, and is capable of zooming in on individual people. Can he convince the media to take him seriously? I mean besides FOX news. 

7. When you're a witch and a spy, you obviously need to run a high-price jewelry store to get your bespelled gems into clandestine government meetings so you can take a peek at who's planning what. Most days, though, it's just more soap-opera reality tv.

8. It has eyes. It follows you home. Now it has your eyes. And you will be its in finding more eyes. More and more and more and more and more eyes.

Original Version

Dear Evil Editor,

Centuries after a cataclysm, only the monastery known as the Eyes of the Starry Jewel offers protection from the pox, and the mindless creatures it afflicts. Inside, an historian monk risks expulsion and exile when he succumbs to an irresistible compulsion to study a banned book of stories hidden deep in the archives. [Are there women in this monastery? Making babies? That would seem to be the highest priority in the only place protected from the pox.]

The stories within tell of people long ago whose fates were tied to an evil empire [Like the stories of Anton Chekhov, which tell of people long ago whose fates were tied to Russia.] thought to have caused the pox. A vigilante held captive by a tyrannical fairy struggles through torture and isolation to protect his comrades. A wounded soldier ekes out his days in poverty and humiliation until he's offered one last chance to serve his country -  as the assassin of a foreign leader. A young giantess and a scientist from opposing sides of a great war team up to protect magical butterflies from a power hungry priest. A woman striving to find a place amidst the unforgiving expectations of nobility is instead lost in a hidden world of espionage and prophecy. A philosopher, grieving the tragic loss of his family, seeks purpose on an empire’s colonizing mission to a mysterious island where a god dwells. [I should have just used this list as my fake plots.] [These plots all sound better than your plot.]

 

As the monk reads the tales, he becomes convinced that together, they hold hidden secrets that may be key to ending the world's nightmare. But he will need to convince his brothers who see his work as heresy, while defending the monastery from the monsters he one day hopes to save. Yet the book is more than he knows, and as events unfold, he finds that written in its ancient ink may be the story of his own destiny. 

Eyes of the Starry Jewel is a 129,000 word piece of adult fantasy comprising seven stories that take place over several hundred years. [ Those must be some pretty long short stories if they add up to 129,000 words.] While this is my first novel, I have had four short stories published in independent anthologies. Two such stories, “The Aurelians’ Chronicle” and “The Godmother” appear in Eyes as tales that the monk encounters in the forbidden book. 

Thank you for your consideration.

Notes

A well-written query. And timely, what with its theme that banning books will lead to the end of civilization.

Let me see if I've got this straight. Long ago the pox almost wiped out humanity, but a few geniuses found a way to beat the pox and decided they should record how they did it so that if the pox ever returned it could be stopped from devastating the world. But they decided that instead of just publishing their findings in a medical journal, they would sprinkle enigmatic clues to their pox-beating method into a book of short stories (not unlike how da Vinci hid clues about Jesus's marriage in The Last Supper). But they didn't stop there, no, just in case someone was smart enough to decipher the clues in the book, they banned anyone from even reading the book. To read it was heresy, punishable by exile and certain death. So now the pox is back, it's wiping us out again, and only one brave monk can save us all--if he's able to find and solve a bunch of mind-boggling puzzles hidden in the banned book before his brothers throw him to the mindless monsters.

I was being facetious, but now that I think about it, my summary of your plot isn't half bad. Your list of short story log-lines featuring torture, isolation, poverty, assassination, war, and tragic loss is kinda depressing. You do have magical butterflies, which are cool, but then you add a power-hungry priest who, I assume, kills them all or uses them as weapons of mass destruction.

One could get the impression you realized you weren't gonna find a publisher for a short story collection, but if you disguised your stories as a novel by having a character from one of the stories, as part of the plot, read all the other stories out loud . . . 

This might work best if all the stories were tied together by something stronger than they all take place over a period of several hundred years in an empire "thought to have caused the pox." Like, if they all took place during the original pox outbreak in the empire that definitely caused the pox (China) and you worked the pox, at least tangentially, into each story. Wait, is the monastery in every story? If so, mention that. If not, maybe make the title of the banned book, instead of the name of the monastery, be the title of your book. Assuming you can come up with a cool title for the banned book. 

I think you'd have a better query if you eliminate paragraph 2, and expand a bit on the last sentence of paragraph 3 while making it less vague. What is the book, really? What is the most important event that unfolds, leading to the monk's eureka realization that it's all about him?

Are all seven stories necessary? Actually, I don't know if the stories are all pretty short and only 5% of the book, or really long, and 90% of the book. But this is awfully long for a first novel. 

Does the monk have a name, or is he just referred to as "the monk" throughout the book? 

Face-Lift 1433

Guess the Plot

The Wizterian Chronicles: Solana

1. Having escaped a planetary war and traveled to Earth, 14-year-old Solana finally feels safe--until her guardian inexplicably attacks her, ripping her apart. She survives, but now she must save planet Earth from a dragon.

2. The city of Solana has a new eatery run by wizards, witches, warlocks, and a dog named Ralph (pronounced Rafe). When the menu takes on a life of its own, will they  set it loose on the invading army? Also hopscotch (that is, hops! and scotch!)

3. An acclaimed mobile Japanese RPG comes to life, following Search, an androgynous young man with an uncertain past, as he chases a mysterious girl across a city in the sky to save the world from a horrible magic blight.

4. Augustus Wizter keeps a chronicle of all the romances he has pursued, both his conquests and the ones that got away. Well, so far they've pretty much all gotten away. All three of them. Solana at least showed up at Starbucks for the intro meeting.

5. The planet Solana orbits the middle star of a star triad in the Wizteria system. Which means that it's always daytime everywhere on Solana. Not good for night owls, but perfect for Brad Porter, who's vowed to finally win the "best tan in the universe" competition this year.

6. When Solana goes into her uncle's closet during a game of hide and seek, she finds herself in a strange land called Wizteria, where everything is covered in purplish flowers. Also, a tiger and a warlock.

Original Version

Mr. Agent:

Solana almost did not recognize the slick scarlet that ran down the right side of her body as blood. The piercing pain was an intrusive stranger that quickly consumed everything she knew.  [This sudden piercing pain is consuming everything I know. And this thick scarlet substance running down my body, it must be . . . a McDonalds strawberry milkshake.] Darkness teased at the edges of her sight, threatening to overtake her. Was this what death felt like? Heart-pounding fear that drowned out much else? She wouldn’t know. For the entire fourteen years of her life, she [she'd] never bled. She [She'd] never knew [known] pain. So why was the person who raised her suddenly ripping her apart? [That's an excellent question, but I don't see that it has anything to do with the fact she hasn't bled or felt pain, as that  word "so" implies.] [While I'll admit this paragraph has a lot of information that might entice Mr. Agent to to want to read more, he has probably requested that you send the first 5 or 10 or 50 pages, so devoting the longest paragraph in the query to an event that lasts about a minute might not be the best use of your limited space. Especially as the same event is recounted again in paragraph 3.] [Is "ripping her apart" an accurate description? It makes me think of being drawn and quartered. Not something one would recover from.]

THE WIZTERIAN CHRONICLES: SOLANA focuses on [Solana,] the youngest heir of Wizteria, Solana. Two years old when she fled a planetary war with her bodyguard and [her] guardian, she hid on Earth, [Whether this is set in the past, present or future, anyone who comes to Earth to escape war is in for a rude awakening. We're always at war.] waiting for the day when she was old and skilled enough to return and defend her kingdom. [Seems like most of the last twelve years would have been spent traveling from Wizteria to Earth. Must have been a wormhole thing. Or...was she traveling at the speed of light? Because as I understand it, you don't age as fast when you're traveling that fast, and maybe when she got to Earth she was still only three years old even though the war Wizteria was fighting when she left ended 50 years ago.] [Figures only approximations.]

Now, living in a small, middle-America town where nothing happens, her magic sealed, and her bodyguard breathing down her neck, Solana longs to return to the cushy life of a spoiled magical princess. [You just said she wanted to return to defend her kingdom. Now you say she wants to return to a cushy spoiled life.] That is, until one day, her guardian suddenly snaps and attacks her and leaves Solana with near-lethal injuries. [Apparently on Wizteria, the definition of "guardian" is flexible.] The bodyguard fights her off and barely escapes [This bodyguard is not impressing me.] with Solana in tow. [Including the parts of her that the guardian ripped apart?] That’s only the beginning of their troubles. [This far into the plot summary, I expect you to have gotten further along than the beginning of the main character's troubles. 

With a rogue dragon let loose on an unsuspecting world, it’s up to Solana and her bodyguard to shake off the cobwebs, get up to speed, and defend the place that she has called home for most of her life [Meaning Earth? A minute ago she wanted to go defend Wizteria but she wasn't old and skilled enough yet. But she's ready to defend us? She's 14. Just because we Earthlings didn't suspect a rogue dragon was going to attack us doesn't mean we need this 14-year old, her magic sealed, to defend us. Even if this is set in a time before we had bombs and tanks and airplanes, we still had knights whose job it was to handle our dragon problem.]—all without catching the attention of her kingdom’s enemies. [Her kingdom's enemies are in some distant solar system engaged in a planetary war. They probably aren't monitoring what's happening on Earth.] [And if they are, news of a Wizterian princess on Earth would take a hundred Earth years to reach Wizteria. (Approximation.)

The entire 100,000-word novel is available for your review. Thank you for your time and consideration.

Notes

If "her magic sealed" means she can't do magic, how does Solana plan to get back to Wizteria? Or to defeat a rogue dragon, for that matter? Can she unseal her magic? And if so, why didn't she unseal it when she was being ripped apart?

If you're gonna complain about your bodyguard always breathing down your neck, you have no right to complain if they're not around at the moment your guardian decides to rip you apart.

Is this middle grade? YA? Usually adults prefer a main character who's older than 14.

She's been living on Earth 12 years, and has never felt pain? I've been living here a lot longer than that, and I can't go two hours without feeling pain. 

Is it just a coincidence that Solana is a Japanese RPG gaming platform, that Japanese wisteria is a common plant, and Godzilla is one of your main characters? I'm surprised Solana didn't settle in small-town Japan when she got to Earth.

Why, now that she's many light years away from her enemies, does Solana have to hide? Her enemies, I assume, don't know what planet or solar system she escaped to. Wait, does she look like a 14-year-old human, or does she look like the alien in Alien? In which case she'd be hiding, but from us.

All we really know about what happens in your book is that a Wizterian princess arrives on Earth, gets ripped apart by her guardian, and recovers enough to become the only hope for humanity to survive the attack of one dragon. 

Start over. Paragraph 1: Who is Solana, how'd she get here, and what is her main goal (To get back to her kingdom? To protect her new home? To kill her guardian?) Paragraph 2: What's her plan to accomplish this one goal? What's the main obstacle to accomplishing it? What crucial decision must she make? Paragraph 3: What's at stake? What will happen if she fails? What will happen if she succeeds?

This might get you a more cohesive query, but do you have a cohesive book? Or just a stream of new threats Solana faces in random order?

Why is three fourths of the title The Wizterian Chronicles? Your main character left Wizteria when she was two. It's my understanding that much of The Chronicles of Narnia takes place in Narnia.

There's still a title in the query queue that needs fake plots.

Feedback Request

The author of the book featured in Face-Lift 1432 (Just below this post) would like feedback on the following version of the query.

I am seeking representation for my thriller Finding Grace (87,000-words) in which a man must avenge a murder he mustn't allow himself to remember.

Jack Foster is a London-born accountant working in Hong Kong, whose talent for visualizing financial data earns him the tough assignments. After he uncovers a triad money-laundering scheme, the gang’s enforcer brutally murders his wife Mara to derail his investigation. [I can think of a more permanent way to derail Jack's investigation, one that won't have me looking over my shoulder for a revenge-seeking accountant for the rest of my life.]

When a similar murder in Los Angeles makes the tabloids, [The Hong Kong tabloids?] Jack quits his job to travel there and track the killer down. [It would have to be more than just "similar" to convince him the same killer is in action halfway around the world. There are so many murders and serial killers in the US, there's  bound to be a similar one every day or two.] While waiting to depart, he’s sent a link to a video of Mara’s final moments. The trauma wipes all memory of her death and with it, any plans to investigate. He lands in LA, convinced he’s arrived for a new job and Mara will soon be joining him. [Does he wonder why he doesn't remember who his new employer is or when he's supposed to start?]

Jack’s repressed desire for revenge, coupled with his vivid imagination, creates a [illusory] femme fatale who blackmails him into continuing the investigation under the ruse her sister was the victim. His [This] alter ego, Grace, is a killing machine who tortures suspects to death. Together, they walk the line between reality and fantasy while hunting a killer who’s not just an enforcer but the head of a triad whose influence stretches halfway around the world. [It seems to me the head of a triad whose influence stretches halfway around the world would delegate to a henchman such tasks as killing the wife of an accountant who's onto the triad's money-laundering activities. He'd also probably have a US-based enforcer, so he wouldn't have to send his Hong Kong enforcer to LA.]

Now a deadly psychopath has to face his ultimate nightmare—a victim crazier than him [he is]. Only Jack’s strength depends on believing Mara is still alive and to avenge her murder, he must first acknowledge her death. [Those two sentences don't go together. I'm tempted to suggest changing your first paragraph to: I am seeking representation for my thriller Finding Grace (87,000-words) in which a deadly psychopath must face his ultimate nightmare—a victim crazier than he is. Seems less odd than what you have, and catchier. But it may not be an accurate description of the book. Not that that matters if it gets someone to request the manuscript.] [As for the other sentence, I'm not sure how you can say Jack's strength depends on believing Mara is still alive. When he (correctly) believed she was dead, he quit his job to go to LA and track down the killer. A remarkably strong reaction for an accountant.]

Finding Grace plays with the thriller genre like the 7 1/2 Deaths of Evelyn Hardcastle did with the mystery genre. Inspiration goes all the way back to Shutter Island and like the movie Memento, explores themes of perception, grief, and self-deception.

Notes

This is a major improvement as far as describing what happens. It clears up a lot of questions and provides continuity.

I'm not sure whether Grace's killings are as imaginary as Grace, or if Jack, in his alter ego, is killing people, or if the killer of Mara is killing people, and Jack is deluded into thinking Grace is the one behind those killings. A few words could clear this up. In the previous version Grace killed their first suspect. Now I'm wondering if there even was a suspect and if so, whether they were killed, and if so, whether Jack/Grace was the killer. 

Of course it's a rare thriller that doesn't have a few glaring plot holes, but it's best to include as few as possible in the query if there's any way to explain or delete them. For instance, there may be a good reason in the book for the enforcer to also be the head of this worldwide organization, but in the query, he/she can be just a hitman.