Guess the Plot
Boats, Boys and Other Water Hazards
3. Archie Spellman asked his bored teenage niece Shelby to write a booklet about the hazards in tourist-trap Lake Anglers. Unfortunately, she spells 'buoys' as 'boys'. Hilarity ensues.
4. Charlie has seen all types at her parents' time share on Lake Arrowhead. This summer will be different, though. She's 16, has her first real bikini, and right next door is a hot piece named Jacob.
5. Noise pollution in the marine environment has become too much for Swishy to cope with, and while contemplating suicide by beaching herself, she gets rammed by a boy on a jet ski. Forget suicide, Swishy embarks on a mission to clear the waterways of all humans by raising an army of sharks.
6. Do guys want to use Kate for her body, her dad's yacht, or both? What happens after college graduation and her trust fund/birthday party? Who poured bong water in a champagne Magnum bottle again? Who still smokes from a bong? Who's the dead guy in the head?
7. Donnie, sixteen, takes Bridget, fifteen, diving off the Florida Keys. A whale attacks their boat and it sinks. Donnie and Bridget lash themselves together. They’re carried further out. They fight off sharks. A storm blows them back toward shore. They cling to a buoy for twenty-nine hours. The Coast Guard rescues them. The shared experience leaves them hating each other.
8. During a weekend at the lake, Janine tries to impress her boyfriend with her mad boat-driving skills. It works ... until he falls overboard and gets caught in the propeller. He manages not to die, but everyone at school knows what happened, and now Janine's having trouble finding a new boyfriend.
Dear Evil Editor,
Sarah “Plain-and-Tall” Conway [That's her nickname? Kind of unwieldy. I can't see people calling someone Plain-and-Tall.] has always fit snugly in the Good Box—good student, good athlete, good liar—and she wants out. This just isn’t how she imagined it happening. [I'm not crazy about the term "Good Box," as it could mean stuff she's good at or stuff that indicates she's a good person. If it's the former, wanting out makes little sense: she doesn't want to be good at history or volleyball? If it's the latter, being a good liar doesn't belong on the list.] [As you haven't revealed what "this" is in that last sentence, and all we know about "it" is that it stands for getting out of this Good Box, I'm thinking we can do without the paragraph.]
When a motorboat meets a summer storm and catapults her into the uncharted waters of Orphanism, [When her parents are killed in a motorboat accident] she’s going to have to navigate the foster system, the open roads of Florida, and a boy with a secret all on her own: Sink or Swim. [All orphans navigate the foster system without their parents. Whether they have to do it all on their own depends. Does she want to do it alone? Does anyone want to help her?] [Navigate, uncharted waters, sink or swim... Don't go overboard with the nautical terms. On the other hand, I may join in, it sounds like fun.]
Enter the boy: Rodney Reel Treakle. Intelligent, a bit cocky, and freaking gorgeous, he’s been the stuff of Sarah’s dreams since they were kids. [How old are they now?] When she lands a summer job aboard his dad’s fishing boat, Sarah starts to find herself—the girl she knew existed, but never entertained: confident, steady, [even-keeled] and a bit rude. And Rod notices. [Basically, she's morphed from someone who's a good student, athlete and liar to someone who's confident, steady and rude. As good student/athletes are often steady and confident, the before/after comparison doesn't work. Was she unsteady, lacking confidence, polite before her transformation?]
Armed with her notebook, [What notebook?] a pocket full of anger, and a well-hidden Jar-O-Mom, [What the--?] Sarah struggles to let anyone in. Even Rod. [Is she struggling to let people in? Or struggling to keep a wide berth?] She can feel herself falling—but in love? Or is she just drowning?
An impromptu July road trip sends Sarah on a quest [voyage] for the truth. [The truth about what?] The truth about a certain wedding picture. The truth about Rod. [Time to deep six this bilge-sucking dog.] The truth about the Good Box.
Sarah-Plain-and-Tall may have been a lie, [She's actually only 5 foot 1.] but will Sarah be able to reconcile the girl her parents knew with the girl she may actually be? [Or will she remain trapped between the devil and the deep blue sea?] [Will she stem the tide or run aground?]
BOATS, BOYS AND OTHER WATER HAZARDS, my young adult novel, is complete at 105,000 words.
With a BA in anthropology and eight years of medical practice under my belt, I have spent my entire academic and professional careers immersed in other peoples’ stories. [Well, screw other people.] It’s refreshing to craft my own.
Thank you for your consideration.
I think you can inject some voice into the query without going totally adrift. Some of the attempts to be clever are better left for the book.
This is mostly setup. Parents die, girl takes job on fishing boat, begins finding herself. That's the setup, and a three-sentence paragraph can handle it. Then, though I know nothing about it, I suspect most of the summary should focus on that road trip. It's the part where something seems to happen. What wedding picture? What truth about Rod? These seem like crucial points in Sarah's growth or coming of age, so don't toss them out just to tease us.